어저께의 나머지에 오늘을 붙여
박현성, 윤석원
The rest of today going to tomorrow
Park Hyunsung, Yoon Sukone
2023.9.14.-10.21.
최근 그 어느 때보다 성대한 축제를 이어오고 있는 미술시장은, 그 화려함이 무색하게도 유사동형의 작업으로 포화된 상태이다. 시대정신이 부재한 시대를 그린 단말마와 같은 이미지 작업, 투자 가치로서 선별되는 작가와 작품, 관람객의 여가생활과 SNS에 치우친 전시기획은 예술 특유의 독자 노선에서 빠르게 이탈하고 있다. 이러한 가운데 박현성과 윤석원은 미술이 시작되었던 미메시스적 경험의 재현에 천착하며 미술의 종별성에 내기를 거는 작업을 보여준다. 갤러리 지우헌은 시시각각 변하는 현대사회의 시간을 이어 붙이는 두 작가의 전시 《 어저께의 나머지에 오늘을 붙여(The rest of today going to tomorrow) 》 를 개최한다.
박현성은 10여 년 간 독일 뮌헨에서 활동하며 ‘관계’를 소재로 다양한 대규모 설치 작업을 선보여왔다. 그녀는 본인과 주변의 관계 속에서 다채롭게 일어나는 감정의 운동을 주로 다룬다. 천은 그녀에게 있어 가장 유연한 재료이다. 천을 검은 계열의 색으로 염색하여 일정하지 않은 형태로 바느질해서 꼬거나, 기다랗게 직선으로 잘라 뜨개질 하듯 앞뒤로 불규칙하게 엮어낸 방식은 얽히고 설킨 인간관계 속 자의와 타의를 함께 내포한다. 틀의 안과 밖을 넘나들며 엮는 방식은 그녀의 대표적 기법이다. 여기서 염색의 흔적은 관계를 둘러싼 복잡한 감정을 은유하며, 이로써 관객은 동요하고 전이되는 감각을 살필 수 있다.
본 전시에서는 2022년까지 선보였던 <마지막 포옹>과 <우연의 무게>를 변주한 신작을 선보인다. 한 평도 안 되는 좁은 공간을 가득 메운 꽈배기 같은 천과, 천장에 위태롭게 매달린 각목을 지탱하는 직선의 천이 대조를 이루며 공간에 긴장감을 준다. 이와 더불어 작업 과정 중 나온 편린으로서 평면 작품도 함께 전시된다.
윤석원은 사적인 경험들을 관계에 관한 심상으로 해석하고 기록하며, 그것을 회화로 재현하는 방식을 오래도록 연구해왔다. 그는 특히 대상에 반사된 빛을 매순간 다르게 보이도록 표현하는 데 탁월한 테크닉을 갖고 있다. 번지고, 깨지고, 흩어진 것 같은 빛의 표현은 생생함과 동시에 빛 바랜 사진과 같은 느낌을 주면서, 과거와 현재가 겹쳐지는 듯한 착각을 불러일으킨다. 그가 다뤄왔던 역사 속 인물들과 거대한 식물들, 일상 속 사물과 풍경들, 현대인의 스냅샷 등은 일견 어디선가 마주쳤을 법한 평범한 기록으로 보인다. 그러나 그가 캔버스 안으로 대상을 옮겨오는 순간, 그 대상은 아주 사적이고 내밀한 기억을 끌어낸다.
이번 전시는 그의 작품 일대기를 집약한 구성으로 <빛과 물질에 관한>, <사람 없는 곳>, <차경(借景)>, 시리즈의 신작 다수를 선보인다. 평소 그의 작품은 대상이 폭넓은 만큼 주제별로 섹션을 구별해 전시되어 왔으나 본 전시는 그의 작업 궤적을 한 번에 보여주는 과감한 배치를 시도했다.
두 작가가 ‘관계’를 매개로 만들어내는 것은 미메시스적 경험 공간의 복원이다. ‘미메시스’는 대상의 모습을 가감 없이 그대로 취하는 실천이다. 주체의 부재 속, 화려한 객체들이 범람하는 세계에서 그들의 작업은 좀 더 가변적인 관계를 형성할 수 있는 공간을 복원하면서, 생경했던 사유의 시간 그 맨 처음으로 데려가 줄 것이다.
The unprecedented festive vibe witnessed now in the art market continued from these days, yet overshadowed by this is the fact that the market is largely saturated by works of similar forms. Images of death throes that depict the era with the absence of the times, works and artists that are selected based on investment value, and curation of exhibitions focusing on social media and viewers’ leisure are breaking away from the unique artistic channel. Against such backdrop, Park Hyunsung and Yoon Sukone showcase works that challenge the classification in arts by delving into the reproduction of the mimetic experience where arts all began. Gallery Jiwooheon is pleased to announce the opening of The rest of today going to tomorrow, an exhibition of the two artists who aim to connect the ever-changing times of the contemporary society.
Having worked in Munich, Germany for nearly a decade, Park Hyunsung has showcased large-scale installation works by taking ‘relationship’ as the theme. Park mainly touches upon the moving moments of diverse emotions that take place within and around her. For her, a piece of cloth is the most flexible material. She dyes it in black, sews and knots it in an uneven form or cuts it into long lines to weave them together, and implies one’s will or that of others that take place within the tangled relationships. The way Park weaves going in and out of the frame is her representative technique. The traces of dye is a metaphor for complex emotions surrounding relationships, which leads the viewers to look into how the feelings are moved and passed on.
The exhibition sheds showcases The Last Hug, which was shown until 2022 as well as a new work made as a variation of Weight of the Coincidence. The cloth knotted like a twisted donut that hangs and fills a small space is in contrast with the straight piece of cloth that supports the lumber hanging precariously from the ceiling creates tension inside the space. Moreover, the show also includes a flat work which was made in the process of the installation.
Yoon Sukone has documents and interprets his private experiences as imageries of relationships. This was studied for long to be reproduced as paintings. Yoon’s strongpoint is a fine expression of the different lights that is reflected on a subject every moment. The expression of light that looks as if it is scattered, broken, and dispersed makes it look like faded photographs while displaying a sense of vividness. This leads the delusion of the past overlapping with the present. The historic figures, large plants, objects and landscape within daily lives as well as the snap shots of contemporary people that Yoon have dealt with look like ordinary documentation of what we would have easily encountered anywhere. Nevertheless, once the subjects are transported inside his canvas, it brings out highly intimate and private memories.
Shedding light on a range of Yoon’s works, the exhibition showcases numerous new works of his series of works titled People and Person 2, About Light and Matter, Enfolding Landscape, No man’s land. Considering the vast scope of the subjects of his works, Yoon’s past exhibitions were divided into sections based on themes. However, this exhibition makes a bold attempt to showcase all of his work trajectories at once.
The way the two artists work with ‘relationship’ as the medium is the restoration of space of mimetic experiences. ‘Mimesis’ is the practice of boldly taking the subject as it is. In the world where flamboyant agents filled with the absence of main agent, their works will restore the space to form changing relationships while bringing the audience to the exactly where the unfamiliar time of thinking all began.
Park Hyunsung (b.1991) studied under Professor Peter Kogler at Munich Kunst Academy (Akademie der Bildenden Künste München), Germany. In Germany, Park was mostly based in Munich, and received NEUSTART KULTUR Freelance Fine Arts scholarship (2022) as well as scholarship from major institutions including Stiftung Kunstfonds Kickstarter, Bayern State. Park received Munich GEDOK Association of Arts New Artist Debut Award, Munich Department of Arts and Culture Selected Artist Award, Wintercampus Residency Selected Artist Award in Kalbe, coined an artists’ city. Her solo exhibitions include IRGENDWELLE (2022, Kobeia Gallery, Munich), Gewicht des Zufalls (Weight of Coincidence) (2020, GEDOK Association Gallery, Munich). Park also took part in around 30 group exhibitions in the Netherlands, UK as well as Munich Kunst Academy (2022), Ingolstadt BBK Association of Art Exhibition (2022), Munich Association of Professional Artists Exhibition. Park returned to Korea in late 2022, and now works between her home in Busan and Seoul.
Yoon Sukone (b.1983) received BA in communication design and MA in contemporary art at Konkuk University. Yoon had solo exhibitions at Gallery Baton (2016/2020), Chapter II(2018), Cheongju Creative Art Studio (2014), Wumin Art Center (2014). He took part in multiple group exhibitions held at Mimesis Art Musieum (2023), Boan 1942 (2023), Seongnam Cube Art Museum (2021), Danwon Art Museum (2016/2020), Cheongju Museum of Art (2022/2019), Shin Museum of Art (2019/2013). Yoon also went through residency programs at Chapter II (2016-2017) and Gyeonggi Creation Center (2015-2016), and received the Selected Artist Award at the 37th Joongang Fine Arts Prize (2015), Danwon Art Award at the 18th Danwon Arts Prize (2016). Yoon’s works are collected at home and abroad by National Museum of Modern and Contemporary Art, Cheongju Museum of Art, Danwon Art Museum, Tiroche DeLeon Collection of Israel, KAIST Business School, Hankook Samgong Co., Kolon Col., Space K and Chapter II.
작가 소개
박현성(b.1991)은 은 독일 뮌헨 쿤스트 아카데미에서 피터 코글러(Peter Kogler) 교수에게 사사를 받았다. 독일에서는 주로 뮌헨에서 활동했으며 NEUSTART KULTUR 프리랜서 순수미술 작가 지원 장학금(2022), Stiftung Kunstfonds Kickstarter 졸업생 지원 장학금, 바이에른 주 프로젝트 지원 장학금 등 주요 기관에서 장학금을 받았다. 뮌헨 GEDOK예술협회 신진작가 데뷔상, 뮌헨 문화부 선정작가, 예술가 도시 칼베 Wintercampus 레지던시 선정작가 등 다수의 수상 경력을 갖고있다. (2022, Kobeia 갤러리, 뮌헨), (2020, GEDOK협회 갤러리, 뮌헨) 등에서 개인전을 가졌고, 뮌헨 쿤스트 아카데미(2022), 잉골슈타트 BBK미술협회전(2022), 뮌헨 전문미술가협회전 등 네덜란드, 영국 등에서 30여 회의 그룹전에 참여했다. 2022년 말 귀국해 현재 거주지인 부산과 서울을 오가며 국내 활동을 시작했다.
Park Hyunsung (b.1991) studied under Professor Peter Kogler at Munich Kunst Academy (Akademie der Bildenden Künste München), Germany. In Germany, Park was mostly based in Munich, and received NEUSTART KULTUR Freelance Fine Arts scholarship (2022) as well as scholarship from major institutions including Stiftung Kunstfonds Kickstarter, Bayern State. Park received Munich GEDOK Association of Arts New Artist Debut Award, Munich Department of Arts and Culture Selected Artist Award, Wintercampus Residency Selected Artist Award in Kalbe, coined an artists’ city. Her solo exhibitions include IRGENDWELLE (2022, Kobeia Gallery, Munich), Gewicht des Zufalls (Weight of Coincidence) (2020, GEDOK Association Gallery, Munich). Park also took part in around 30 group exhibitions in the Netherlands, UK as well as Munich Kunst Academy (2022), Ingolstadt BBK Association of Art Exhibition (2022), Munich Association of Professional Artists Exhibition. Park returned to Korea in late 2022, and now works between her home in Busan and Seoul.
윤석원(b.1983)은 건국대학교에서 커뮤니케이션디자인을 전공하고 동 대학원에서 현대미술 석사과정을 마쳤다. 갤러리 바톤(2016/2020), 챕터투(2018), 청주미술창작스튜디오(2014), 우민아트센터(2014) 등에서 개인전을 가졌고, 미메시스 뮤지엄(2023), 보안여관(2023), 성남큐브미술관(2021), 단원미술관(2016/2020), 청주시립미술관(2022/2019), 신미술관(2019/2013) 등 다수의 그룹전에 참여했다. 챕터투(2016-2017)와 경기창작센터(2015-2016) 등에서 레지던시를 거쳤고, 제37회 중앙미술대전(2015) 선정작가, 제18회 단원미술제(2016) 단원미술상 등을 수상했다. 그의 작품은 국립현대미술관, 청주시립미술관, 단원미술관, 이스라엘 티로시델레온 컬렉션, 카이스트 경영대학원, ㈜한국삼공, ㈜코오롱, 스페이스K, 챕터투 등 국내외 기관에 소장 되어있다.
Yoon Sukone (b.1983) received BA in communication design and MA in contemporary art at Konkuk University. Yoon had solo exhibitions at Gallery Baton (2016/2020), Chapter II(2018), Cheongju Creative Art Studio (2014), Wumin Art Center (2014). He took part in multiple group exhibitions held at Mimesis Art Musieum (2023), Boan 1942 (2023), Seongnam Cube Art Museum (2021), Danwon Art Museum (2016/2020), Cheongju Museum of Art (2022/2019), Shin Museum of Art (2019/2013). Yoon also went through residency programs at Chapter II (2016-2017) and Gyeonggi Creation Center (2015-2016), and received the Selected Artist Award at the 37th Joongang Fine Arts Prize (2015), Danwon Art Award at the 18th Danwon Arts Prize (2016). Yoon’s works are collected at home and abroad by National Museum of Modern and Contemporary Art, Cheongju Museum of Art, Danwon Art Museum, Tiroche DeLeon Collection of Israel, KAIST Business School, Hankook Samgong Co., Kolon Col., Space K and Chapter II.
관람 안내
기간 2023. 9. 14(목)~10. 21(토), 일요일/월요일/공휴일 휴관
시간 10:30~18:30 (종료 30분 전 입장 마감)
장소 서울시 종로구 북촌로11라길 13
오프닝 9. 14(목), 오후 5시
작가와의 만남 10. 12(목), 오후 2시
→ 참여 신청 : https://designhouse.co.kr/event/event_detail/694)
오프닝 협찬 레모나 핑크 하이볼
문의 02-765-7694 (전시/작품구매 문의)
Openig reception : 9.14 5PM~
Opening Sponsored by: Lemona Pink Highball
Closed on Sundays, Mondays, Holidays
13, Bukchon-ro 11ra-gil, Jongno-gu, Seoul
Tel : 82-2-765-7694 (Inquire)
윤석원 < 창문 >, 2020. 캔버스에 유채, 100 x 100 cm.
Yoon Seokone, Window, 2020. Oil on canvas, 100 x 100 cm.
윤석원 < 빛과 물질_시간004 >, 2023. 캔버스에 유채, 100 x 100 cm.
Yoon Seokone, Light and Matter_Time004, 2023. Oil on canvas, 100 x 100 cm.
박현성 < 주름에 대하여 No.01 >, 2020. 면천에 잉크 염색, 41 x 41 cm.
박현성 < 주름에 대하여 No.02 >, 2020. 면천에 잉크 염색, 41 x 41 cm.
Park Hyunsung, About the wrinkles No.01, 2023. Oil on canvas, 41 x 41 cm.
Park Hyunsung, About the wrinkles No.02, 2023. Oil on canvas, 41 x 41 cm.
박현성 < 마지막 포옹 >, 2022. 면천에 잉크 염색, 스펀지, 재봉, 가변크기.
Park Hyunsung, The last hug, 2023. Dyeing ink on fabric, sponge, sew, Dimensions Variable.
박현성 < 무제 >, 2023. 면천에 잉크 염색, 호두나무, 80 x 80 x 8(h) cm.
박현성 < An Edited story >, 2019. 면천에 잉크 염색, 호두나무, 125 x 125 x 10(h) cm.
Park Hyunsung, Untitled, 2023. Dyeing ink on fabric, walnut 80 x 80 x 8(h) cm.
Park Hyunsung, An Edited story, 2019. Dyeing ink on fabric, walnut 125 x 125 x 10(h) cm.
윤석원 < 그날 >, 2023. 캔버스에 유채, 45.5 x 45.5 cm.
윤석원 < 그날 >, 2023. 캔버스에 유채, 35 x 35 cm.
윤석원 < 그날 >, 2023. 캔버스에 유채, 25 x 25 cm.
Yoon Seokone, The day, 2023. Oil on canvas, 45.5 x 45.5 cm.
Yoon Seokone, The day, 2023. Oil on canvas, 35 x 35 cm.
Yoon Seokone, The day, 2023. Oil on canvas, 25 x 25 cm.
윤석원 < 기다림-아래 >, 2023. 캔버스에 유채, 60.6 x 45.5 cm
윤석원 < 기다림-위 >, 2023. 캔버스에 유채, 60.6 x 45.5 cm
Yoon Seokone, Waiting-Down, 2023. Oil on canvas, 60.6 x 45.5 cm
Yoon Seokone, Waiting-Up, 2023. Oil on canvas, 60.6 x 45.5 cm
박현성 < 우연의 무게 >, 2020. 면천에 잉크 염색, 호두나무 가변크기, *호두나무 : 8.5 x 8.5 x 200(h) cm. *면천 : 500 x 150 cm.
Park Hyunsung, Weight of the coincidence, 2020. Dyeing ink on fabric, walnut Dimensions Variable *oak : 8.5 x 8.5 x 200(h) cm *fabric : 500 x 150 cm
박현성, < 숲 No.05 >, 2022. 실크에 잉크 염색, 30 x 30 cm.
박현성, < Trace of nature No.03 >, 2022. 실크에 잉크 염색, 30 x 30 cm.
박현성, < K.a.L No.61 >, 2022. 면천에 잉크 염색, 오일 파스텔, 30 x 30 cm.
박현성, < 물결의 표면 No.01 >, 2022. 실크에 잉크 염색, 30 x 30 cm.
박현성, < 물결의 표면 No.02 >, 2022. 실크에 잉크 염색, 30 x 30 cm.
Park Hyunsung, In the forest No.05, 2022. Dyeing ink on silk, 30 x 30 cm.
Park Hyunsung, Trace of nature No.03, 2022. Dyeing ink on silk, 30 x 30 cm.
Park Hyunsung, K.a.L No.61, 2022. Oil Pastel, dyeing ink on fabric, 30 x 30 cm.
Park Hyunsung, Surface of the wave No.01, 2022. Dyeing ink on silk, 30 x 30 cm.
Park Hyunsung, Surface of the wave No.02, 2022. Dyeing ink on silk, 30 x 30 cm.
(왼쪽부터)
윤석원 < 빛과 물질_공간004 >, 2023. 캔버스에 유채, 90.9 x 72.7 cm.
윤석원 < 빛과 물질_환영003 >, 2023. 캔버스에 유채, 45.5 x 45.5 cm.
윤석원 < 빛과 물질_시간006 >, 2023. 캔버스에 유채, 25 x 25 cm.
(from the left)
Yoon Seokone, Light and Matter_Space004, 2023. Oil on canvas, 90.9 x 72.7 cm
Yoon Seokone, Light and Matter_Illusion003, 2023. Oil on canvas, 45.5 x 45.5 cm.
Yoon Seokone, Light and Matter_Time006, 2023. Oil on canvas, 25 x 25 cm.
(각각) 윤석원 < 안녕 >, 2023. 캔버스에 유채, 50 x 50 cm.
(each one) Yoon Seokone, Hello, 2023. Oil on canvas, 50 x 50 cm
박현성, < 새벽동No.04 >, 2022. 면천에 잉크 염색 32 x 50 cm.
박현성, < 새벽동No.05 >, 2022. 면천에 잉크 염색 32 x 50 cm.
Park Hyunsung, Early morning No.04, 2022. Dyeing ink on fabric 32 x 50 cm.
Park Hyunsung, Early morning No.05, 2022. Dyeing ink on fabric 32 x 50 cm.
윤석원 < 빛과 물질_환영004 >, 2023. 캔버스에 유채, 33.3 x 24.2 cm.
윤석원 < 빛과 물질_공간006 >, 2023. 캔버스에 유채, 45.5 x 27.3 cm.
Yoon Seokone, Light and Matter_Illusion004, 2023. Oil on canvas, 33.3 x 24.2 cm
Yoon Seokone, Light and Matter_Space006, 2023. Oil on canvas, 33.3 x 24.2 cm
<작가 박현성, 윤석원 Artists Park Hyunsung, Yoon Seokone, Courtesy of Designhouse.Inc>
*Photos courtesy of the Artist and Designhouse. inc.
갤러리 지우헌은 ㈜디자인하우스에서 운영하는 전시공간으로 북촌 한옥마을에 위치하고 있다. 한옥을 개조한 독특한 구조로 전통적인 미감과 현대적인 편의성을 두루 갖추고 있으며, 2016서울우수한옥으로 선정되었을 만큼 뛰어난 건축미를 갖고 있다. 과거의 역사를 담고 있는 공간에서 현대미술을 조명하는 시공간적 특징을 가진 갤러리로서 동시대 미술의 흐름에 동참하며 국내·외 신진작가 발굴과 후원에 힘쓰고 있다.
Gallery Jiwooheon is an exhibition venue operated by Designhouse, Inc., located in Bukchon Hanok Village. It was selected as the 2016 Seoul Excellent Hanok for its distinctive structure remodeled from a hanok, which offers both traditional aesthetics and contemporary convenience and has remarkable architectural beauty. It aspires to identify outstanding new artists at home and abroad while supporting the trend of contemporary art as a gallery with temporal and spatial qualities that shines a light on contemporary art in a space possessing the history of the past.
- 큐레이터 김아름 Areum Kim, Curator | areum.kim@design.co.kr
- Instagram : @jiwooheon_dh
